Historical Picture - The Jesus of History


Historical Picture - The Jesus of History

Could pictures of Jesus on a burial cloth offer new clues about why Christianity exploded? Could a picture of Jesus on his cloth explain some of the early liturgy, some of the theology, some of the unanswered questions such as what it was that the Beloved Disciple saw when he peered into the tomb. Might it even give new meaning to the appearance stories?

Starting in the sixth century, pictures of Jesus seem inspired or even copied from a single source.

Christ Pantocrator, Picture of Jesus from the sixth centuryWhat did Jesus look like? Amazingly, there is no description of Him in the New Testament or in any contemporary source.  Yet, in hundreds of pictures, icons, paintings, mosaics, drawings and coins, there is a common quality that enables us to identify Jesus in works of art. Shroud scholar and historian Ian Wilson theorizes that a common set of facial characteristics became the norm following the discovery of the Edessa Cloth concealed in the city's walls in 544 CE. 
Apparent Shroud-inspired pictures of Christ are noticeable on coins struck in 692 CE during the reign of the Byzantine emperor Justinian II. The distinctive front-facing appearance of Jesus on the Shroud is also found on numerous icons, mosaics and frescos from the sixth century on. The most startling example is the Christ Pantocrator icon at Saint Catherine's Monastery, reliably dated to 550 CE. 
Overlay of the face on the Shroud of Turin with the Christ Pantocrator Picture
Computerized overlay of the Shroud of Turin facial picture and the Christ Pantocrator icon from St. Catherine's Monastery (550 CE). Images were scaled to the same size and shifted horizontally and vertically for alignment. No changes were made in the vertical to horizontal ratios.
  
Density Average of the Shroud of Turin face with the Christ PantocratorThe picture at left is a computerized density average of the negative of the face and the Pantocrator icon above.
In the 1930's, French Shroud scholar Paul Vignon described a series of common characteristics visible in many early artistic pictures of Jesus. The Vignon markings, as they are known, all appear on the Shroud suggesting that it is the source of later pictures of Jesus.
 
  • A square U-shape  between the eyebrows. 
  • A downward pointing triangle or V-shape just below the U-shape, on the bridge of the nose.
  • Two wisps of hair going downward and then to the right.
  • A raised right eyebrow. 
  • Large, seemingly "owlish" eyes. This may be the result of coins placed over the eyes.
  • An accent on the left cheek and an accent on the right cheek that is somewhat lower.
  • A forked beard. Dr. Whanger (see below) has suggested that this may the result of a chin band tied around the head to keep the mouth closed.
  • An enlarged left nostril. 
  • An accent line below the nose and a dark line just below the lower lip. 
  • A gap in the beard below the lower lip. 
  • Hair on one side of the head that is shorter than on the other side.
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